'Luther: The Fallen Sun', Idris Elba’s Netflix Vehicle, Fails to Make the Point
By undermining the appeal and credibility of black characters, the show compromises the very idea of diversity and representation it sets to promote.

Adapted from the original work of Amel Mokhtar "Bonjour La Quarantaine". Fatma is overwhelmed between her role as a mother and her responsibilities as a journalist. But does it have a place in this daily race?
By undermining the appeal and credibility of black characters, the show compromises the very idea of diversity and representation it sets to promote.
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.
These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.
The enthralling prequel and 5th installment in 'The Hunger Games' film franchise.
If a movie about a strange and crazy day is commercially successful, why not recycle it and double the kookiness quotient? That seems to be the logic behind this followup to Freaky Friday.
A bond between a girl and her dog takes an unexpected twist as the dog is not what it seems.