Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

La Petite Fille poster

La Petite Fille (1984)

She plays with the sand. Anonymous Dahomean music: percussion by two stones of four pieces of wood placed on the legs of the instrumentalist. This music is meant to keep monkeys and birds away from crops, but causes mutual attraction with the little girl.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


She plays with the sand. Anonymous Dahomean music: percussion by two stones of four pieces of wood placed on the legs of the instrumentalist. This music is meant to keep monkeys and birds away from crops, but causes mutual attraction with the little girl.

Rating:
Genre:
Directed By:Pascal Auger
Written By:
In Theaters:2/26/1984
Box Office:

Runtime:9 minutes
Studio:

Articles You May Like


"Him" (2025) Film Review-The realities of making the grade in professional sports gets a cultism-driven, horror film makeover

"WHAT ARE YOU WILLING TO SACRIFICE?!!!!" "EVERYTHING!!!!!" This is but one of a multitude of highly emphatic questions, and subsequent answers, being asked in the newest feature film from one of the current masters of horror, Jordan Peele ("Get Out", "Us" and "Nope"). I must give Peele credit in that he continues to push the boundaries of specific genres and their associated tropes in order to provide what ends up amounting to subtly then jarringly intense, yet still character and story-driven, cinema that speaks more to indie stylings than mainstream.

Kirk Fernwood

Caught Stealing : A Blood-Soaked, Laugh-Out-Loud Noir

Darren Aronofsky’s Caught Stealing is a gritty, darkly funny thrill ride through 1998 New York, with Austin Butler delivering a raw, magnetic turn as Hank Thompson—a washed-up ex-ballplayer turned bartender whose life implodes after cat-sitting for his punk neighbor drags him into a violent underworld of gangsters, crooked cops, and chaos. Brutal yet unexpectedly hilarious, the film blends noir grit with midnight-movie absurdity, proving Aronofsky can reinvent himself while Butler cements his status as a true movie star.

Nilufer Ozmekik