“Disclosure Day” and Anthropocentrism
Disclosure Day asks us to question humanity's role in the universe but falls victim to the same assumptions of centrality.

A rich Moroccan who belongs to the better circles has seven daughters. Whatever happens, the eighth offspring must be a son. It is a girl again, but she is given a male name, Ahmed and grows up like a boy. When Ahmed is 21, he is in an identity crisis: he wants to shave, leave a mustache and take his niece to wife. In the meantime, Ahmed's father is dying and wants to sail to heaven. He calls to Ahmed and calls her a female name Zahra and gives her freedom so that she can go out.
Disclosure Day asks us to question humanity's role in the universe but falls victim to the same assumptions of centrality.
This Disney+ movie is about a 12-year-old math genius who wants to become a rapper.
Audition should be on everyone's list of Greatest Horror Film. So I urge you to give it a watch. Maybe watch the last twenty minutes with your hands in front of your eyes.
Disney’s first Christmas advert, ‘From Our Family to Yours’ teaches us the magic of the holidays.
I write for a diversity-focused film review blog, so I’ll be honest: I really wanted to like Pretty Lethal. Starring Maddie Ziegler, Lana Condor, Iris Apatow, Avantika, and Millicent Simmonds, Amazon Prime’s new thriller seemed like it would be a girl power movie about dancers with a horror action twist. Sort of a Suspiria for teens. But with shallow and unlikeable characters, a confusing plot, an overreliance on violence, and cringey dialogue, any fun the movie started out with was quickly lost. What was left was a faint echo of greater horror movies about dancers made before.
Bong Joon Ho’s masterpiece, Parasite (2019) became one of the few international films to break into the American mainstream.