This film revolves around the path of the Moroccan writer Abdellatif Allabi in the seventies of the last century, but the mouthpiece of Allabi's wife, Jocelyn, who was bully to defend her husband's right to embrace freedom. She was embodied by prisoners of conscience's mothers, wives, sisters and mates who "hold half the sky," according to Chinese wisdom.
If you haven’t watched Good Trouble yet, you need to. This Foster’s spinoff, aptly named for civil rights champion and Congressman, John Lewis, follows Mariana and Callie Adams Foster as they begin a new chapter of young adulthood and navigate life, careers, social justice, and love.
The clever but socially-awkward Tetê joins a new school, and she'll do anything to fit in.
Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.
A film that focuses on an algorithm for a dating app that will bring viewers in for a surprise.
The Djinn is about childhood traumas and lifestyle changes. It tells the story of Dylan (Ezra Dewey), a mute boy who blames himself for his mom’s death. He also condemns himself for being speech-impaired, and he thinks that if he did not have that condition, everything could had been different.
Anna May Wong was a talented actress and a fashion icon and still had to fight for everything she had due to hatred and racism.
