TIFF ‘22 Coverage: ‘The Fablemans’
'The Fablemans' is Spielberg's most personal work to date, the cast delights audiences at the TIFF premiere.

It's 1986. A Colombian woman arrives at Ezeiza Airport and gets into a taxi. The World Cup is underway, and Argentina is facing England. The Falklands War is fresh in the collective memory. The taxi driver is listening to the match on the radio: Maradona scores the legendary "Hand of God" goal, and four minutes later, the "Goal of the Century."
'The Fablemans' is Spielberg's most personal work to date, the cast delights audiences at the TIFF premiere.
Housefull 5 attempts something bold with two endings — but does the gamble pay off? Read this spoiler-filled review for a breakdown of both versions, standout moments, and why it might be the franchise’s most forgettable entry yet.
“Jumanji - a game for those who seek to find, a way to leave their world behind...” A nostalgic classic that remains unnerving, "Jumanji" draws audiences into a chilling adventure.
My review’s title is a nod to Shakespeare and is entirely deliberate. The original movie portrayed the high-end fashion world as a brutal arena of plotting, backstabbing, and betrayal, and most Shakespeare’s plays depend on these plot devices. The Devil Wears Prada 2 uses the same formula, and is, plot-wise, almost identical. Once again, we plunge into the cutthroat world of Runway, where to get and stay at the top, you must let go of your principles and moral sense. The only thing different is that due to the digital era, Runway is not a print magazine anymore, but one that is running online.
The 1950s lesbian romance is stunning, emotional, restrained, and, simply put, one of the best movies I’ve ever seen depicting a woman-loving-woman (WLW) relationship.
Kate Winslet and Saorise Ronan deliver stellar performances in a film that doesn't live up to its potential.