In César Miguel Rondón's adaptation, a different origin story is presented. The fisherman Ismael (Félix Loreto) is unfaithful to his wife Cayita (Ana Karina) with a witch, Carmelina (Ileana Aloma). She swears revenge when she sees Ismael return to Cayita's arms and casts a curse that will cause the fisherman's death, setting his house on fire. Faced with the tragic event, Cayita, frightened, screams and begs the townspeople for help to save her son, who was inside the house when the fire started. Cayita's son dies alongside Ismael. It is then that she, crazed with grief, cries out for her son for eternity.
Honey Don't! is a chaotic queer noir that's part detective story, part midnight movie madness. Margaret Qualley is fantastic as the wise-cracking private eye Honey, with Aubrey Plaza and Chris Evans adding their own dry humor to the mix. The mystery itself is pretty loose, but the film makes up for it with crackling sexual tension, weird side characters, and razor-sharp dialogue. It's messy and uneven, but in the best possible way.
The 2020 remake of 'The Invisible Man' explores the hidden nature of domestic violence with a classic sci-fi character.
As this critic continues to look back at some of this Summer's films I have taken in, I would be remiss if I didn't mention one of the most overall unsettling trends in Hollywood over the last several years.....sequels, reboots, and remakes. Look, I am all for seeing more than one film for certain originals that made a splash, ie: "Jurassic Park", "Pirates of the Caribbean", "Transformers", etc.
In light of the trailer release for the Five Nights at Freddy's sequel, it’s due time to talk about the first movie.
This film is a splendid mix of mediums, but its strength lies in its simplicity and beautiful message of closeness.
'Uprooted' is a short film on what's happening in Ukraine as of today. This captures the emotions of the Russian invasion of Ukraine.
