Ambroise Vollard's fabulous collection of modern artworks had an incredible fate after the art dealer's death in 1939.
We, the Jane Austen aficionados, are suckers for everything and anything under the sun that’s remotely related to her and her world. That’s because we are so drawn to her unique style of fiction, romance, and social commentary, we take any allusion to her influence as a hint to what to expect when we start watching a movie or reading a book.
One of the reasons I love watching movies is that, much like books, they serve as windows into other times and different places. Productions from around the world offer valuable insights into the history and culture of their respective countries. And just like literature, cinema can help us understand the present by showing us the past.
If a movie about a strange and crazy day is commercially successful, why not recycle it and double the kookiness quotient? That seems to be the logic behind this followup to Freaky Friday.
The film is bogged down with one-off rain monster threats that always come to a quick and undramatic end
Set against the backdrop of the Jim Crow era, the film offers layered representation.
Hanna Bergholm's 'Hatching' shows us that the modern version of the cardboard world trope is social media.
