A Closer Inspection of LGBT Characters in Film
We have a long way to go with LGBT representation in film, especially when it comes to LGBT characters of color and trans characters.

Mohamed holds the wall in the suburb. For almost thirty years, he has been there, always in the same entrance to a building, with the same friends. It's boredom, unemployment. Dreams are extinguished. However, around them, it circulates, it lives. It also succeeds. Women, they work and pass without even seeing them. And there are more and more strollers. Dozens of strollers. Even the younger generation is already parents. What if that was "the solution", the way out of a universe without a future? No one takes Mohamed seriously. And yet! By opening, against the general opinion, a "wild" nursery, by offering working women to keep their babies, Mohamed and his friends will offer themselves a future, a job, respect for all ... and who knows , maybe, love!
We have a long way to go with LGBT representation in film, especially when it comes to LGBT characters of color and trans characters.
There were too many irrelevant parts that could have been shortened, and too many characters that didn't advance the plot. Either way, some things didn't add up. This was just another played out plot with little, if any, originality in it. By the end of the film, I wasn't happy that she finally got her freedom, I was happy that it was finally over.
With so many Disney remakes out and about in the world and loosed upon Hollywood cinema, there is one Disney film that truly needs to be seen and witnessed on the big screen: Princess and the Frog.
Even now, the well-established Snyder has yet to learn this as he continues to allow misguided decisions to convince him that his projects hold the same kind of intelligent and emotional weight. Army of the Dead is a tonal mess, one that never decides what it’s trying to be, and, for all we know, doesn’t want to decide.