
Their names are Rafik, Solace, Rahat, Jessica and Adonay. They are six years old. They live in Parc Extension, a multi-ethnic neighborhood in the heart of Montreal. They are Madame Lise's students. For an entire school year, director Sylvie Groulx observes their learning, watches them live. Thus, it testifies to the patient work of a teacher simply dealing with new urban realities: children of diverse ethnic origins, major cultural differences, learning French in a family environment ignorant of this language. The class of Madame Lise is also the good will of a group of disparate children, the complicities that are woven in the difference, the knowing smiles, the sulks and the mockery devoid of malice. Madame Lise's class is finally the portrait of Lise Coupal, a warm and attentive teacher, tolerant but firm, happy to discover in a shy boy a potential that she did not suspect.
I suppose you could argue that the story wasn’t what Director James Cameron was aiming for, it was the visuals. The spectacle of it all was the point, and it certainly shows.
Portraying how easy it is to be an ally heavily benefits the majority audience. The more we encourage it, normalize it, and give people the tools to become one, the sooner we can co-exist peacefully.
A smashing sequel to the first Sonic the Hedgehog film that also brings back elements from the popular video game series.
Ricky Staub’s Concrete Cowboy, based on Greg Neri’s novel "Ghetto Cowboy", tells the story of a young teenager forced to adapt to a new lifestyle.