Roll “S.W.A.T.”
An action-packed adrenaline rush with a diverse cast that delivers evocative storytelling.

Lenny, a drug dealer, and his wife Norma are not getting along. She's tired of his unfaithfulness, but instead of just leaving him, she takes a lot of cash. She has a boyfriend, Tony, who is also the headliner at a drag queen cabaret. The two of them enlist the help of Brent, another cross-dresser: Brent will hide the loot in his dress while Tony and Norma make arrangements for the three of them to leave for Vegas. But Lenny's on their trail, with his moll who's also armed. Meanwhile, the Seattle police are baffled: murder victims are turning up, strangled by jock straps or pantyhose. Can Norma and her pals escape Lenny? And who's doing all the killing?
An action-packed adrenaline rush with a diverse cast that delivers evocative storytelling.
I understand that this would have been consistent with the language used by that generation, due to its role in the medical profession, however as someone who has family members with Down Syndrome I took it very personally.
Two Summers ago, on May 27th, 2022, the theatrical cinematic realms were re-awakened from their post-COVID dormant state of being by a little film titled "Top Gun: Maverick". It re-introduced us to the absolute elation of seeing not only a highly anticipated (and, granted, 36 years in the making!) sequel, but the return of the quintessential Summer blockbuster to witness on the BIG screen again.
The movie opens with an empty house, cameras pan around from the perspective of what viewers are confused about at first, but turns out to be a spirit living in the home.
'Motherless Brooklyn' is a 1950s whodunit made by its star, Edward Norton. Like most detective films in this setting, the cast is mostly white males (with a few notable exceptions).
... La huesera haunts her daily life, leaving people to question her viability as a mother, and Valeria’s lack of satisfaction with her life leave her asking similar questions. These misgivings reach their peak after the baby is born, when Valeria, visibly in a state akin to possession, locks her in the fridge when she won’t stop crying through the night