Animal Farm: Viva la Dystopia
This incarnation of Animal Farm is filled with the generic plot points, immature humor, cardboard characters and visual flaws that you have come to know from today’s lesser children’s films.

In the farce, the producer has invited people to his place to plan a film celebrating the centenary of independence. They get drunk and come up with three possible films, which they also act in themselves. The topics chosen, in the spirit of Finnish nationalism, are the life of Colonel Sandels, moonshining, and the 1974 presidential election.
This incarnation of Animal Farm is filled with the generic plot points, immature humor, cardboard characters and visual flaws that you have come to know from today’s lesser children’s films.
In 1971, when discussions about how to integrate their school system break down, the community of Durham, North Carolina agrees to bring in Bill Riddick(Babou Ceesay) to conduct a series of summits(charrettes) to help them move forward with desegregation.
In a film where a Black couple is framed to be the lead characters, they still managed to get shuffled off to the sidelines. The enthusiastic cast delivers well on goofy bits- but can only go so far before they begin to fall flat.
A trouble-making teenager spends the summer working at a Southern California beach learning about responsibility.
Even with its straightforward premise, “Richard Jewell” is ramped up by exceptional drama. In all honesty, the performances are out of this world. As Jewell, Paul Walter Hauser becomes a walking representation of gullibility. His bumbling antics create the perfect hero, and very quickly, we feel the societal heat that surrounds our protagonists.
One of the great achievements of this film is its ability to challenge the mind and to force you to try to process information in a different way than you’re used to.