Forbidden Fruits (2026)
Not every film can make a shopping mall feel both magical and menacing, but Forbidden Fruits challenges that.

Doruk, the only child of a wealthy family, fulfills his dream by entering the police academy and graduating at the top of his class. He falls in love with Serap, whom he meets during an operation, and they get married. Shortly after their daughter Zeynep is born, Serap falls into a depression and leaves home. Doruk, a heroic special operations police officer, takes on both the role of mother and father to his daughter Zeynep while juggling his demanding duties. Just as a beautiful bond forms between father and daughter, Serap, who had left home, returns. A difficult period begins in the lives of father and daughter.
Not every film can make a shopping mall feel both magical and menacing, but Forbidden Fruits challenges that.
Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.
A pop star at Radio City Music Hall gets the opportunity to change herself to save her music career.
Ben Affleck leads The Way Back, a seemingly cathartic film for him after the actor’s recent bouts with alcoholism and rehab. He plays Jack, a man fighting his own battles who happens upon coaching a boys’ basketball team, the same team he once played for back in high school.
Fire Island is the more inclusive film of the two with the bi-phobic definition of pansexuality in The Thing About Harry and its obvious lack of colour on screen
There’s been a longstanding criticism of sci-fi films about its lack of Black characters. For the past few years, Anthony Mackie has been successfully representing Black masculinity in the otherwise homogenous genre and I am here for it.