“Tony” is Yet Another Good Biopic
The problem isn’t that it’s bad. It's good. But it fails to stand out from a crowd of similar films.

The Moksha fairy tale "Kuygorozh" takes viewers to Mordovia. The main character is an unclean named Kuygorozh, a hybrid of an owl and a snake, one of the strangest characters in folk legends. A workaholic, he constantly demands work from his employers and does everything for them. Of course, every lazy person dreams of such an assistant. There are two of them in the film – an old Man and an Old Woman. Having obtained an egg with a Kuygor, they began to live a new life, but the joy of greedy idlers was short-lived.
The problem isn’t that it’s bad. It's good. But it fails to stand out from a crowd of similar films.
After the untimely death of his brother by way of an ambush in Kandahar, Afghanistan, the protagonist, ‘81’(Alan Ritchson) unsuccessfully makes several attempts to become an Army Ranger. On his last mission to complete the Ranger selection process he and his squad encounter an otherworldly ‘soldier’.
When it comes down to it, The English explores what happens when power is unchecked and how those who seem powerless, have more strength than most through their convictions for justice.
We chat with Penelope Lawson about her short film, The Dinner Party, her experience founding her own production company, and fun cinema.
An unlikely friendship changes the hearts of men, and helps a young boy come into his own.
The genres of science fiction and fantasy are not exclusively masculine territory. Over the last few decades, female directors have brought to the screen some of the most visually stunning, intellectually daring, and deeply moving works of speculative fiction. From big Hollywood productions like Wonder Woman and Captain Marvel to independent low-budget films, women filmmakers are making a name for themselves around the world.