‘WandaVision’ Episode 5 Flips the MCU Upside Down
Wanda and Vision are suffering under the stress of parenting their twin boys.

Born without any knowledge of his parentage, Mahesh drives a bicycle rickshaw for a living in a town in India, prays to Bhagwan Shri Kishan, and lives in an unhealthy shanty hut. He is friendly with Sheela, who works as a maidservant, hopes to marry her someday, much to the chagrin of Kalu Dada, who lusts after Sheela. One night while returning home he comes across an abandoned male baby near Bhagwan Shri Ganesh's Mandir. He looks for the family of this child, asks for help from the Mandir's Poojary, as well as a Mullah and a Hawaldar, all in vain. When he tries to abandon the child, he is literally forced to adopt him, and when he does so, he faces considerable opposition from his neighbors, and ends up hating the child.
Wanda and Vision are suffering under the stress of parenting their twin boys.
Netflix's Afterlife of the Party might fall into the rom-com genre, but it's much more about grief, strong female friendships, and platonic love than it is about romance.
Weird has a name and it's, Weird Al. 'Weird: The Al Yankovic Story' makes you want to "Eat it" then "Beat it".
By having two of its most beloved characters go to space in a Pontiac Fiero attached to a rocket, among other antics, F9: The Fast Saga overwhelmingly achieves the task of out-crazy-ing its predecessors.
So with the recent (rightful) public apologies to Britney from comedians and media for trashing her image in the 2000s, perhaps some people should also give Crossroads the fair chance it deserves. It won't be everyone's cup of tea, and that is fine. Personally, I will take my girl Britney and her movie, over the next testosterone "Dude Flick" any day.
A Girl Walks Home Alone At Night, though its feminism may be unintentional, cannot exist without its focus on women reclaiming power. The movie is feminist by definition, even if Amirpour didn’t write it with that in mind. A Girl Walks Home Alone At Night is mesmerizing, poetic, and stunning, both for its portrayal of feminist ideas and its powerful story that is both horrific and subtly romantic at once.