Incluvie Film Fest 3rd Place Winner: ‘Warmth’ Review
This film is a splendid mix of mediums, but its strength lies in its simplicity and beautiful message of closeness.

Dinda who escapes the Kuntilanak (female vampire ghost) terror, without the agreement of Aunt Donna, intends to meet someone who is believed to be her biological mother, Karmila. Together with his younger siblings and accompanied by Julia and Edwin, they are trapped in a house in the middle of the forest. Many irregularities occur. Dinda again has to deal with Kuntilanak, but it was different from what she had defeated using spikes or spells.
This film is a splendid mix of mediums, but its strength lies in its simplicity and beautiful message of closeness.
When diverse representation is featured on-screen, it oftentimes comes with strings attached that undermine the message they were trying to send. This can be attributed to the fact that behind-the-screen, the industry primarily does not reflect the breadth of diverse difference that is present in daily life. That’s why when something as powerful and authentic as Minari comes along, it is both incredibly wonderful and needs a large audience to witness it.
Despite its simple premise, “imagine being a woman,” the horror behind "Men" feels fueled by a hollow understanding of the insidiousness of misogyny.
Set in a future dystopian United States in which water is running out, Julia Hart’s Fast Color (2018) is a refreshingly different take on the superhero film.
GOAT (2026) opens to the chanting of a crowd: "Roots run deep!" The rest of the film goes on to echo that sentiment, offering gorgeous animation and a heartfelt story along the way.
'Motherless Brooklyn' is a 1950s whodunit made by its star, Edward Norton. Like most detective films in this setting, the cast is mostly white males (with a few notable exceptions).