‘Little Woods’ Review: A Powerful New Take on the Western Genre
'Little Woods' rethinks the Western genre and examines the misogyny and classism inherent in the healthcare industry.

February 2013, Allahabad, India. Over the next 55 days, nearly a hundred million people will come here, to the Great Kumbh Mela. This incredible and awe-inspiring celebration of the world's oldest religion happens every 12 years at the place where Hindus believe two sacred rivers meet. For many Hindus this is their most important pilgrimage, and it happens at one of the most holy sites in India. Hindus come to cleanse themselves in the sacred waters of the river Ganges, to pray and emerge purified and renewed. This follows British pilgrims as they embark on a once-in-a-lifetime spiritual journey. A journey that will take them into the heart of Hinduism - its philosophy, its beliefs and its traditions. A journey that will culminate in the largest ever gathering of humans in one place.
'Little Woods' rethinks the Western genre and examines the misogyny and classism inherent in the healthcare industry.
Its predictability shouldn’t distract from the enjoyment that the pure cinematic imagination behind the camera elicits. It is a movie of crises both moral and mortal, oozing with CGI, and thoroughly enjoyable.
On top of the phenomenal acting, and great dialogue between the two characters, the cinematography was ravishing! The sound was outstanding! The production design was simple, yet intrinsic. The minimalistic approach in the Malibu beach house represented how little they really have going on in their relationship. The storyline may have been much simpler than "Who's Afraid of Virginia Wolf," but all the more insightful, and much more animalistic at its core.
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