Black And Loud: Afrocentric Films Everyone Should See
Looking for some Afro-centric entertainment? Check out these movies and immerse yourself in Black culture.

Dr. Vijay Verma lives in a small town with his wife, Aarti, and a young daughter, Munni. One day Vijay comes to the rescue of a poor laborer, who was being beaten by a group of men working for the town's Sarpanch, Dharamraj. This gets him in the bad books of Dharamraj, and he is subsequently arrested for killing his assistant, found guilty, and sentenced for seven years. Dharamraj then summons Aarti and openly accuses her of having an affair with the deceased assistant, and orders her to be taken out of this town, to the custody of Bombay Police. Years later, Vijay is released from prison, and is anxious to meet his wife and child. When he returns home, he finds that his wife and child are nowhere to be found. Upon inquiring, he learns that his wife was jailed for killing their child, and is now earning a living as a prostitute, and is currently the mistress of Member of Parliament, Charandas.
Looking for some Afro-centric entertainment? Check out these movies and immerse yourself in Black culture.
Evan Goldman, a child of divorced parents, is planning a memorable bar mitzvah for his 13th birthday. However, middle school has a few obstacles along the way.
This list was made with the intention of celebrating comedic craft and a love of seeing more women of colour and newcomers on the scene.
I am an Armenian who has a mild form of epilepsy. I rarely see Armenian culture and epilepsy properly portrayed in film or TV. I delve into the how and why.
Clocking in at about four hours, Stranger Things season 4 volume 2 is the length of a double feature. Despite the length and the hype, the finale still falls short of expectations thanks to poor pacing, poor character choices, and poor diverse storytelling.
With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.