Media as the Evil in Eddington
Eddington attempts to capture how media is intertwined with the uncomfortable present.

Karan gives in to his Father's wish, breaking up with his child hood crush Natasha and gets married to Anjali. Anjali with all the commitment a traditional Indian girl has, begin to build Karan's world but despite of all her goodness, Karan feels no attachment to her and eventually confess that he doesn't wish to be in this forced marriage. Anjali learns of Natasha and decides to step off calling her trust worthy friend Vinod. In the tale of relationships, trust, devotion and sacrifices all the four characters finally gets to achieve what was right for them.
Eddington attempts to capture how media is intertwined with the uncomfortable present.
'Legally Blonde' remains a standard of feminist filmmaking over two decades after its release, although its poor treatment of racial and sexual minorities make it a product of its time.
In addition to the cast being delightfully diverse this time around, the film was just loosely-plotted and action-packed enough to keep a casual fan like myself entertained. While I do agree that the writing of Cole left much to be desired for an original character thrust into a preconceived universe, none of the characters seemed particularly fleshed out in terms of personality; however, I think that's to be expected when you're watching a film literally inspired by a video game.
Spiral could easily spawn new sequels and will most likely churn a decent profit. Is it a good Saw film? Absolutely. Could it have been revolutionary though? Also yes.
At its heart, it’s a fond tribute to an influential artist and thus one that can speak to everyone’s inner artist, even if it lacks the sincere commentary you may wish to see.
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.