The 3D audio video documentation shows new recordings by Kraftwerk from 2012 to 2016 in breathtaking HD 3D visuals and state-of-the-art audio, including in the Museum of Modern Art New York, the Tate Modern London and of the New National Gallery Berlin. Worldwide there were fantastic reactions from audiences and critics and unanimous enthusiasm for the multimedia performances by Ralf Hütter, Henning Schmitz, Fritz Hilpert and Falk Grieffenhagen.
What can I say about this Will Ferrell/Julia Louis-Dreyfus-led “dramedy?” Well, the comedy part of Downhill is completely non-existent. And I should have known that the film was a flop when I walked into an empty theater at a prime time on a Friday night.
This is ambitious horror filmmaking, and in a lot of ways, I fully admire its ambitions. For me, the film’s sloppiness defines its overall quality.
I was able to sit down and talk with up and coming producer and director Ryan Polomski who talked about his latest project Raymond Lewis: LA Legend. It's a documentary about basketball star Raymond Lewis and here is what I found out.
The film blends reality and the supernatural world together, leaving the viewer unsure of what’s real and what’s merely a figment of Michael’s agitated imagination.
Many have interpreted Maya Deren’s Meshes of the Afternoon as a dream sequence, but what if the repetitive scenes we are given are not dreams but, a time loop.
'Jungle Cruise' is fun if you can ignore the racism of the ride it’s based on and the film’s bland, stereotypical characters.
