Once Upon a Time in (White) Hollywood
Tarantino's alternative history of the 1960's uncritically repeats the era's sexist and racist stereotypes.

In a land of two kingdoms - one ruthless under King Vladan’s conquests, the other hidden behind a magical lake and ruled by kindly King Dobromil - Queen of Fire enchants Princess Mariana in living flame to force Dobromil’s hand in ceding the kingdom’s fabled Ruby Heart. Desperate, Dobromil uses a magic ring to summon the ever-jovial Tadeáš from Vladan’s realm; Tadeáš braves the flames, rescues Mariana, and wins her heart, only for their triumph to be threatened once more.
Tarantino's alternative history of the 1960's uncritically repeats the era's sexist and racist stereotypes.
Although Christmas is a time of year for love and cheer for all, holiday cinema has not always represented diverse communities. Being a holiday with Christian origins, much of its media consists of straight white families or straight white romances. Luckily, modern years have been bringing with them plenty of POC and LGBTQ+ representation that the holidays so desperately need.
One of THE most frustrating trends in the mainstream film industry over the last several decades has been the onset of comedy efforts that seem SO focused on being crude and/or gross-out in all ways possible. That, at least for me, makes them no longer funny.
This Netflix original series is for animal lovers and fans of light horror series.
Vicenza, a Brazilian girl, goes on a quest by herself to find out who her birth father is by gathering clues.
It’s 2021 and what few LGBTQ+ films that are produced by major film studios continue to star cisgender heterosexual actors, rather than actual LGBTQ+ people.