Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

Koji Shiraishi's Never Send Me, Please Vol.2 poster

Koji Shiraishi's Never Send Me, Please Vol.2 

Volume 2 of "Koji Shiraishi's Never Send Me, Please" with brand new footage added, not present in the theatrical version! After Koji Shiraishi watches a horrifying VHS tape, a mysterious woman calling herself 'Karame' calls him. Telling Shiraishi to "investigate Keisuke immediately". In addition, Karame sends Shiraishi a video clip showing Keisuke and Yuki entering Keisuke's room without permission and being filmed in secret. This incident prompts Shiraishi to start his own investigation.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


Volume 2 of "Koji Shiraishi's Never Send Me, Please" with brand new footage added, not present in the theatrical version! After Koji Shiraishi watches a horrifying VHS tape, a mysterious woman calling herself 'Karame' calls him. Telling Shiraishi to "investigate Keisuke immediately". In addition, Karame sends Shiraishi a video clip showing Keisuke and Yuki entering Keisuke's room without permission and being filmed in secret. This incident prompts Shiraishi to start his own investigation.

Rating:
Genre:Horror
Directed By:Koji Shiraishi
Written By:Koji Shiraishi
In Theaters:
Box Office:

Runtime:45 minutes
Studio:Tokagedo Entertainment

Articles You May Like


Enola Holmes 3 Screws Up Its Main Character and Blows the Worldbuilding

Netflix’s recent Millie Bobby Brown vehicle, Enola Holmes 3, is a disappointing and confusing entry in the stellar Enola Holmes franchise. Directed by Philip Barantini, the film stars Brown as Enola Holmes, estranged sister of Sherlock Holmes, Henry Cavill as Sherlock Holmes, and Louis Partridge as her love interest, Viscount Tewkesbury. While it deserves credit for its exciting action scenes and attempts to expand the diversity of its Dickensian setting, the most recent entry in the series completely scuttles Enola’s underdog status from the first films that made her so charming and gave a touch of realism to the story of a young, unmarried woman living in London while self-employed as a detective.

Jo Moses