'Luther: The Fallen Sun', Idris Elba’s Netflix Vehicle, Fails to Make the Point
By undermining the appeal and credibility of black characters, the show compromises the very idea of diversity and representation it sets to promote.

Kodo—the Japanese word for heartbeat—is the name of a group of musicians and dancers whose exhilarating performances of traditional and contemporary Japanese drumming has captivated audiences worldwide since its 1981 debut in Berlin. Produced and directed by filmmaker Jacques Holender, this is the original 1983 KODO documentary, which explores their commitment to a unique aesthetic and collective ideal. Filmed on location in Japan at their communal home on Sado Island, and in Tokyo. Soon after this documentary was filmed in January 1984, the young performers of Kodo set out on a new journey under the banner of “One Earth Tour.” By taking the sound of taiko to all corners of the globe, Kodo hoped their music and message would resonate with myriad cultures and ways of life, reminding people of our common bonds as human beings. In 2024, this film was digitized and made available for distribution to commemorate the 40th anniversary of the beginning of Kodo’s ongoing “One Earth Tour."
By undermining the appeal and credibility of black characters, the show compromises the very idea of diversity and representation it sets to promote.
The Mandolorian has a more nuanced and commentative take on masculinity that refrains from praising the toxic traits associated with the social category, while also showing a more positive and transformative representation of masculine characters.
This captivating film can only be truly appreciated by seeing it firsthand. There are not enough words to describe the terrible beauty one experiences while watching it.
As Sexual Assault Awareness Month comes to an end, I’d like to urge viewers and filmmakers to take a long and hard look at how rape is portrayed on screen.
Mirrorball is full of passion and love for the medium of cinema and is indeed a fitting love letter to La La Land.
I first saw Dear Evan Hansen on the Broadway stage. Apparently, I was so blown away by the magic of theater that I didn’t pick up on the questionable dynamics. The story's clumsy handling in the movie brought those issues to light.