
A high-priced call girl is forced to depend on a reluctant private eye when she is stalked by a psychopath.
You can have the best filmmaker and cast in the world, but if the script is lacking, you’re in a troublesome state. Such is the case with Gemini Man, a film full of tremendous artists.
One of THE most frustrating trends in the mainstream film industry over the last several decades has been the onset of comedy efforts that seem SO focused on being crude and/or gross-out in all ways possible. That, at least for me, makes them no longer funny.
The problem isn’t that it’s bad. It's good. But it fails to stand out from a crowd of similar films.
It’s fun, it’s energetic, but it’s also understated and vicarial. Zola is a modern black fairytale and future of black movies.
This is not a story of oppression but a story of liberation.