Fifteen years ago, Edwin went to clown camp to fulfill his lifelong dream of bringing laughter to the world... but nobody laughed. Humiliated on graduation night, Edwin viciously murdered the entire camp before vanishing into legend. Now, despite the warnings of the town drunk, old man Bonzo has reopened the ranch and a new class of clowns have unwittingly signed up. When their die-hard instructor Sgt. Funnybone (Miguel Martinez, The Donor Conspiracy) is found dead in a puddle of cream pie and blood, the curriculum changes from comedy to survival! Edwin slashes, stabs, strangles, and disembowels the clowns while laughing insanely at his own bad jokes.
Hiring bias is something that's rampant in all industries (even unconscious bias). But writing a script totally neutral not only opens the door for more diverse actors, but also for characters that are people first.
Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.
I think that the happiness and survival of "Wynonna Earp"’s LGBTQ+ characters is incredibly refreshing in contrast to the prevalence of queer suffering and death in other television.
Coolie promised style, action, and Rajinikanth’s mass presence, but did it deliver on substance? Here’s my full review on whether Lokesh Kanagaraj’s film lives up to the hype.
The film is a simple love story reminiscent of stories like The Notebook released in 2004. Sylvie and Robert are rarely actually together in the film, however; time and circumstance keep them away from each other, and the audience waits with bated breath to see them find one another over and over.
