The film describes the first working day of a twelve-year-old girl, shortly after the turn of the century. After a miserable childhood in a proletarian family, where she was mother to five toddlers, the sensitive girl follows in the footsteps of her parents and seventeen-year-old sister and sets off for the brickworks. The girl bravely defends herself at work, enduring the boys' bullying without tears, but when the day comes to an end, the foreman tells her that she must go to Krevelt, the boss, to be registered.
After two months of refusing to see this movie, I have decided that it’s finally Morbin’ time. After its re-release as a box office bomb; I watched it just to laugh at it. But, I was also surprised, because 'Morbius' is a queer allegory.
The film is a documentary focusing on heavy metal in the late 80s and tackles topics like drug addiction, alcoholism, sex, masculinity, and of course, rock and roll. However, this didn’t feel like any documentary I’ve ever seen before.
Korean pop culture has mastered emotions as both a scientific field and an artistic revolution. Think of how K-Pop and K-Dramas have taken over the world. How? Simply put — they are addictive. How are they addictive?
A throwback to the last months of the 20th century in this comedy film.
This is not a film, it’s a drop tower. A drop tower that you don’t get off of for the vast majority of its 106-minute runtime.
If you're missing the freedom of travel, explore the world via these international films that put their gorgeous settings in the spotlight.
