
Aggie is suffering a great pain after the death of her Grandmother. She has no one else so she moves in with her Godmother and her son, Louie. Aggie does not speak a single word, the pain she is going through is unimaginable, and this portrayal is simply stunning in its sadness and grief. Louie and Wah try to make her feel at home, and soon Aggie's passion for cooking shines through her sadness.
Considering the runtime, I expected each scene to hit harder as opposed to a series of montages and vignettes.
With a quirky outline, Project Hail Mary stays within the bounds of human language and imperial fantasy.
For anyone who is not a cis white woman, a justice-fueled murderous rampage is not framed as liberation. Instead, they contribute to harsh stereotypes that vilify minority women with dangerous consequences.
Despite everything it was capable of, all of these poor choices strung together amount to nothing more than a counter-productive film.