Swept Away by You, Me, and Tuscany
A Black woman centered in a box office rom-com with a happy ending and no struggle love.

This biopic is centered on New Year's Day of 1894, when Kitamura is recovering from a suicide attempt. Japan is then under the spell of fervent patriotism because the government wants to build up public support for a war with China. Kitamura's literary friends and militant comrades come to visit. They wonder why Kitamura wants to kill himself. Kitamura at first refuses to receive them, then he sits down with them and looks back on his days as a civil rights militant, his stormy love life and his ardent but destructive desire to live literature to the full.
A Black woman centered in a box office rom-com with a happy ending and no struggle love.
Gretel & Hansel falters due to its razor thin story and lack of characterization. It loses sight of horror’s key rule: In order to create an effective tale, characters and emotions must be emphasized.
Disney's newest Latine animated musical, 'Encanto', features a super colorful cast, fun music, and a surprising conflict about intergenerational trauma.
A few episodes in, I realized the most prominent theme of In The Long Run wasn't culture, race or even finding independence--but the idea of belonging.
"Boston Strangler" pulls the curtain back on a well-documented historical moment involving significant contributions from women reporters.
A code adopted by gay men and LGBTQ+ individuals in general to subtly disclose your identity to another, “friend of Dorothy” is widely considered to originate with Judy Garland.