I'm Not 'Gnome Alone' in this Amazing Comedy
A family comedy that combines fantasy and normal school life.
Kissing?
Just before turning thirty, Danny and Stella often feel lost and disorientated. This is the chronicle of their relationship that reveals the portrait of their generation with sarcastic humour and sincerity.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
Just before turning thirty, Danny and Stella often feel lost and disorientated. This is the chronicle of their relationship that reveals the portrait of their generation with sarcastic humour and sincerity.
Rating:
Genre:Drama, Romance
Written By:Yannis Korres
In Theaters:
Box Office:
Runtime:
Studio:Arctos Films, Greek Film Centre
Articles You May Like
I've Got A 'Crush' On You...And I'm Not Too Old To Say It
Hulu's 'Crush' leaves you giddy, light, hopeful, and, yes, all crushed out on the possibility of what? You got it, your next crush.
"Pretty Guardian Sailor Moon Eternal, Part 1"
Sailor Moon Crystal wisely makes the decision to adapt Season 4's Dream Arc into an epic anime movie where the Sailor Guardians shine brightest.
Shang-Chi: Mental Health and Healing, Marvel Universe, and Awkwafina Humor
Suppressed intergenerational family trauma and healing, warm welcome to the Marvel Cinematic Universe team, and Awkwafina's humor really make this film the real MVP.
‘The Wrong Missy’ is a Miss
The characters aren’t likable, the story is predictable and the humor is either disgusting, obnoxious, or uncomfortable. The Wrong Missy is a mess of a film and it’s not really worth your time.
Caught Stealing : A Blood-Soaked, Laugh-Out-Loud Noir
Darren Aronofsky’s Caught Stealing is a gritty, darkly funny thrill ride through 1998 New York, with Austin Butler delivering a raw, magnetic turn as Hank Thompson—a washed-up ex-ballplayer turned bartender whose life implodes after cat-sitting for his punk neighbor drags him into a violent underworld of gangsters, crooked cops, and chaos. Brutal yet unexpectedly hilarious, the film blends noir grit with midnight-movie absurdity, proving Aronofsky can reinvent himself while Butler cements his status as a true movie star.