When a ghost-fearing magician falls for his staffer, who happens to be haunted by her dead best friend, he must face his fears while convincing her he'd make an excellent boyfriend.
The “gay best friend”, an age-old trope, has been done in countless films and television series. Ranging from one-note (Sex and the City's Stanford and Mario) to nuanced (Unbreakable Kimmy Schmidt's Tituss), the gay best friend exists to support and advise the main protagonist, with their conflicts swept to the side.
"Boston Strangler" pulls the curtain back on a well-documented historical moment involving significant contributions from women reporters.
'Easy A' is emblematic of a world that liked to sarcastically pretend it was progressive but wasn’t actually ready for that change, making it pretty anti-sex.
How do zombie films shine new light in the post-Covid and post-Brexit era?
