Kiss of Fire (1955)

While Peter’s heroics might have been a bit unrealistic at times due to his lack of experience, I will always support the civilian taking down the establishment. 

The film does not add anything to its own conversation or genre, and falls flat once it’s about to end and must declare some sort of conclusion.

Of the 28 total films I watched, just six of them were queer or featured queer characters in some way.

Sonic is a pretty generic buddy comedy with a light dusting of eccentricity.

Overall, Lee Cronin’s The Mummy is plagued by numerous flaws, both from a quality and from a diversity standpoint.  The film relies on gore and loud sounds to drown out its flat script, flatter dialogue, and one-dimensional characters. 

These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.