Asuka Miyazaki miraculously returned from the mysterious, otherworldly “Kisaragi Station” three years ago. Yet, she still looks as if she’s from twenty years in the past, drawing suspicion and isolation. When she meets a determined documentary director, she resolves to save Haruna Tsutsumi—who once risked her life for her—and others still trapped there. Boarding the train again, Asuka reunites with Haruna, unchanged from three years before, and steps back into Kisaragi Station.
So with the recent (rightful) public apologies to Britney from comedians and media for trashing her image in the 2000s, perhaps some people should also give Crossroads the fair chance it deserves. It won't be everyone's cup of tea, and that is fine. Personally, I will take my girl Britney and her movie, over the next testosterone "Dude Flick" any day.
The death of Grace's father brings challenges as the family tries to preserve their ranch.
Amsterdam is a confusing movie with a meandering plot amidst a beautiful rendering of 1930s New York
This groundbreaking summer blockbuster proves that diversity enhances the action genre.
Perhaps the most amazing and groundbreaking quality about The Birdcage is how removed it is from both illness and insensitivity. Whereas films preceding it were often somber stories about the tribulations of being gay in a conservatively straight world, Nichols and screenwriter Elaine May expose the fallacies of conservatism as traditional values are thrown into a more open-minded space. They don’t care how far the community has fallen so much as how high they can rebuild themselves.
