Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

trailer banner
King's X: Live Love in London poster

King's X: Live Love in London (2010)

Recorded live on January 22, 2009, at the Electric Ballroom in Camden, London. 01. Groove Machine 02. Alright 03. Pleiades 04. Move 05. What is This? 06. Lost in Germany 07. Black Flag 08. Pray 09. Dogman 10. Go Tell Somebody 11. Julie 12. Looking for Love 13. Summerland 14. Over My Head 15. It's Love 16. We Were Born to be Loved 17. Goldilox 18. Visions 19. Moanjam
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


Recorded live on January 22, 2009, at the Electric Ballroom in Camden, London. 01. Groove Machine 02. Alright 03. Pleiades 04. Move 05. What is This? 06. Lost in Germany 07. Black Flag 08. Pray 09. Dogman 10. Go Tell Somebody 11. Julie 12. Looking for Love 13. Summerland 14. Over My Head 15. It's Love 16. We Were Born to be Loved 17. Goldilox 18. Visions 19. Moanjam

Rating:
Genre:Music
Directed By:
Written By:
In Theaters:10/26/2010
Box Office:

Runtime:113 minutes
Studio:Dash Productions

Articles You May Like


'A Girl Walks Home Alone At Night' Review: A Powerful (If Unintentional) Look At the Exploitation of Women

A Girl Walks Home Alone At Night, though its feminism may be unintentional, cannot exist without its focus on women reclaiming power. The movie is feminist by definition, even if Amirpour didn’t write it with that in mind. A Girl Walks Home Alone At Night is mesmerizing, poetic, and stunning, both for its portrayal of feminist ideas and its powerful story that is both horrific and subtly romantic at once.

Marisa Jones

Why "The Birdcage" is Still Worth Celebrating 25 Years Later

Perhaps the most amazing and groundbreaking quality about The Birdcage is how removed it is from both illness and insensitivity. Whereas films preceding it were often somber stories about the tribulations of being gay in a conservatively straight world, Nichols and screenwriter Elaine May expose the fallacies of conservatism as traditional values are thrown into a more open-minded space. They don’t care how far the community has fallen so much as how high they can rebuild themselves.

Matt Geiger