In this modern retelling of Sir Arthur Conan Doyle's fantasy action-adventure classic, a commercial airliner crashes deep in the heart of the Amazon. Now, the survivors must face a mysterious and hostile world inhabited by giant scorpions, dragons, and a simian beast that stands ten stories tall.
At 2:17 a.m., every child in a third-grade class wakes up, leaves their home, and disappears into the darkness—except one. The next day, teacher Justine Gandy discovers that Alex Lily is the only student left, while the rest have vanished without a trace. Did Justine have something to do with it, or is a far more sinister force stalking the town, targeting not just children, but anyone in its path?
From the cinematography to the script to the acting, Sorry, Baby is undoubtedly one of the best films of the year.
It is a truth universally acknowledged that a single woman will be happiest if she marries a man with a good fortune, similar upbringing, matching attractiveness levels, and compatible politics.
The French-born director Laure de Clermont-Tonnerre’s strategic choice to entrust the interpretation of a conventional, feminine character to a non-binary actor pays off: Corrin’s Lady Chatterley is awkward, edgy, and uninhibited at the same time.
