Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

trailer banner
Killjoy poster

Killjoy (1981)

A romantic rivalry leads to an innocent woman's murder. Or is it a hoax crime, part of a cunning deception? At City General Hospital, two young doctors engage in a move-and-countermove rivalry over Laury Medford. It may be more than Laury's beauty that motivates the men. Her father is the hospital's chairman of the board. Marrying her would be an inside track to the chief of staff post. Meanwhile, a senior hospital staffer, who is the mother of one of the two doctors, plots to enhance her son's chances, a mysterious outsider who says he knew the dead woman tails the two men, and Laury may be more than she appears. Murder? Hoax? The answer isn't revealed till the final freeze-frame.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


A romantic rivalry leads to an innocent woman's murder. Or is it a hoax crime, part of a cunning deception? At City General Hospital, two young doctors engage in a move-and-countermove rivalry over Laury Medford. It may be more than Laury's beauty that motivates the men. Her father is the hospital's chairman of the board. Marrying her would be an inside track to the chief of staff post. Meanwhile, a senior hospital staffer, who is the mother of one of the two doctors, plots to enhance her son's chances, a mysterious outsider who says he knew the dead woman tails the two men, and Laury may be more than she appears. Murder? Hoax? The answer isn't revealed till the final freeze-frame.

Rating:NR
Genre:Mystery, Thriller, TV Movie
Written By:Sam Rolfe
In Theaters:10/22/1981
Box Office:

Runtime:96 minutes
Studio:Lorimar Productions, CBS

Articles You May Like


"The Roses" (2025) Film Review-Marital dysfunction offers plenty of hubris AND humor this time around

Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.

Kirk Fernwood