
In this sequel, two juvenile detention officers must escort a group of criminally-inclined urban kids to the country where they are being forced to renovate a shelter for teens as punishment for their crimes. After one of them is shot by a local, the survivors seek refuge in the home of a voodoo woman, where they mistakenly summon legendary clown-faced demon Killjoy who begins hunting them down one by one.
Portraying how easy it is to be an ally heavily benefits the majority audience. The more we encourage it, normalize it, and give people the tools to become one, the sooner we can co-exist peacefully.
The trainwreck is hot but tame.
It: Welcome to Derry proves you can have rich representation, real humanity, and still fully enjoy Pennywise terrifying kids in sewers.
The venn diagram of pop feminism and white-centered feminism is a circle. Acknowledging that is not a crime nor a diminishing of 'Barbie', Director Gerwig, or feminism in general.
Haven't you heard? There's a new horror subgenre: cerebral gore, that's probably been around for decades and we're now just starting to talk about it.