“I’m a newspaperman!”: Howard Hawks softened a political satire into a proto-feminist romcom
"His Girl Friday" set the bar for romcoms and gave us a feminist heroine before feminism was cool.

In January 2015, Jerome Rogers, a popular nineteen year old from a council estate, finally got what he’d been working for – a new motorbike and his first real job, as a courier. But in the hands of bailiffs, two £65 traffic fines rose to over a thousand pounds. Some weeks, take-home pay in his zero hours job was as low as £12. Under the pressure of his debt, Jerome went to the woods where he’d played as a kid, and took his own life. This is his story…
"His Girl Friday" set the bar for romcoms and gave us a feminist heroine before feminism was cool.
Taylor Swift dazzles many fans with remixes of her country and pop singles in her Reputation Stadium concert tour, becoming a successful concert film.
Scene-stealer Melina Kotselou brings infectious queer joy and non-binary representation to the third installment of Nia Vardalos' 'My Big Fat Greek Wedding' franchise.
Remember when there was this amazing comedy titled "National Lampoon's Vacation"? To this day, it is a true classic of the genre and certainly put a new spin on precisely what KINDS of insanity could occur when taking the fam on the road. Then, like with so many successful films, there was the sequel (which for me was even MORE of a classic than the original!). However, the third film emerged....and then a fourth. Suddenly, the luster was gone and disappointment set in.
With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.