What We Do in the Shadows (of Our Closet Walls)
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.

Kienyeji tells the story of two university students, Cynthia and Charlie, from conflicting Kenyan communities who fall in love and plan to marry despite their families' opposition. The narrative explores tribalism and cultural differences as their attempts to unite face challenges, including a failed ruracio due to unpaid dowry, food poisoning at a second attempt, and ultimately, divorce pressured by Charlie's father. Amid exams, financial struggles, and personal setbacks, their journey unfolds with Ohangla and Mugithi music, raising questions about love and tradition. Will love triumph, or will societal pressures prevail?
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.
Dune has stunning visuals, a striking soundtrack, and great performances. But it has issues everywhere from its pacing, to its story, to its diverse representation.
I was able to watch the gleefully mesmerizing Disney remake that was Robert Zemeckis’ Pinocchio. I was enthralled by Zemeckis’ iteration.
These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.
"Up" features one of Pixar's few Asian-American heroes and explores the institutionalized hardships elderly people face. Also, Dug is a good boy.