Jenny hates kids. When her pregnant boss puts her in charge of a children's art class, she knows it's not gonna be all fun. But in the middle of this chaos, could there be a little something that melts her heart?
Disney's live-action remake is vibrant and beautiful, with updated music and classic enthusiasm, but it fails to push the envelope and provide nuance for Ursula.
From the cinematography to the script to the acting, Sorry, Baby is undoubtedly one of the best films of the year.
The 1950s lesbian romance is stunning, emotional, restrained, and, simply put, one of the best movies I’ve ever seen depicting a woman-loving-woman (WLW) relationship.
‘Oppenheimer’ is a force to be reckoned with. A biopic that respects the audience’s intelligence.
With mismatched eyes, a willingness to experiment with hair color and style, and a rail thin frame, Bowie always drew attention. But he shunned gendered attractiveness, creating his own space somewhere in between. This hallucinatory and often nonlinear 2022 documentary is a perfect salute to David Bowie’s life and career. Rather than interviewing those that knew Bowie, the standard convention for biographical portraits, director Brett Morgen mostly lets the artist’s images, performances, videos, and words speak to capture the essence of the artist. Bowie was more than just a pop star. He painted, sculpted, acted in films, and was a thoughtful and articulate person who gave sincere answers to even the most shallow interview questions.
Disclosure Day asks us to question humanity's role in the universe but falls victim to the same assumptions of centrality.
