"Snatching trophies? I am a trophy." Trixie Mattel: Moving Parts
World-famous drag queen Trixie Mattel shares a year of her life with the world in this vulnerable and uplifting documentary.

"In June 1999 dear friends Agnetta Falk and Jack Hirschman were married at Matt Gonzales' place in the Mission. I was there with my 16mm Bolex and filmed part of the ceremony and crowd. After almost 30 years I finally made this footage into a finished film. It features many of our dear friends both living and deceased. In honor of Jack and Aggie's wedding anniversary I finished the film over the weekend." – Dominic Angerame.
World-famous drag queen Trixie Mattel shares a year of her life with the world in this vulnerable and uplifting documentary.
Why is 'The Green Knight' so white? People of color are so removed from the origins of 13th century art. We’re looking toward the future, and part of that should be updating aspects of our stories to mirror those evolutions.
Documented human suffering is never easy to view or read about and is understandably triggering for many people, but it can be educational, and education is a key to change. An overwhelming amount queer people worldwide (and in my own country) have it far worse than I could imagine, and documentaries such as Welcome to Chechnya bring issues to light that certain groups of people would never see.
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.
The Force Awakens is A New Hope 2.0, in essence. The story structure is virtually unchanged, marking a safe opening to the new trilogy.
With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.