
Kenji Comes Home is a 1949 documentary film produced by Paul F. Heard. Written and directed by Charles F. Schwep, it was filmed on location in Japan and employed native actors. The film is the story of Kenji, a repatriated prisoner of war in Japan, and his difficulties in settling down. He is torn between the glowing promises of communism and ideals of his girlfriend Aki's Christian religion. The film was nominated for an Academy Award for Best Documentary Feature.
Eventually, “Hobbs and Shaw” introduces us to a Samoan community. Clearly, Johnson’s Samoan roots are on display. Quite frankly, I found this section of the film very intriguing. The “Fast and Furious” franchise has a solid track record in the diversity department
The gentle, emotional nuances of Evan’s coming-of-age story would have been so beneficial to have incorporated into the life of a POC character. Showing a Black, Asian or Latino young man that is afforded the space to be vulnerable, flawed and sensitive while driving a compelling and widely-loved narrative would have been a game changer.
A pop star at Radio City Music Hall gets the opportunity to change herself to save her music career.
Deborah (Jean Smart) and Ava (Hannah Einbinder) are a delight to watch evolve, sometimes devolve, then evolve again.
'The Invisible Man' triumphs in tension even as it drops the ball on genuine surprise for the audience.