‘También la Iluvia’: A Lesson in Shallow Representation
'También la Iluvia' exploits Indigenous peoples' fight against the privatization of water in order to tell a story about Spanish characters.

Teen skater Ken Park (nicknamed Krap Nek; his name spelled and pronounced backward) kills himself at a Visalia skate park; his death bookends the lives of four other young people who knew him: Shawn, the most conventional; Tate brims with psychotic rage; Claude is habitually harassed by his brutish father and coddled, rather uncomfortably, by his enormously pregnant mother; and Peaches looks after her devoutly religious father, but yearns for freedom. They're all rather tight, or so they claim.
'También la Iluvia' exploits Indigenous peoples' fight against the privatization of water in order to tell a story about Spanish characters.
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