"Carol": A Gorgeous LGBTQ+ Romance
The 1950s lesbian romance is stunning, emotional, restrained, and, simply put, one of the best movies I’ve ever seen depicting a woman-loving-woman (WLW) relationship.

In this 3rd edition of Ken Davis' very popular "Friends" series, Ken introduces four more of the funniest guys around: The hilarious wit of John Branyan, David P. Dean's outrageous observations about life, the sizzling duo Bean & Bailey, and the "Stop! I can't breathe" comedy of master ventriloquist, David Pendleton, all wrapped up with a good dose of Ken's classic humor.
The 1950s lesbian romance is stunning, emotional, restrained, and, simply put, one of the best movies I’ve ever seen depicting a woman-loving-woman (WLW) relationship.
“It's not ghosts. It's not supernatural. It's... It's America. And it's everywhere.”
Severance is about breaking down facades and confronting old models that were once frameworks of our lives. The somewhat subtle message to me is it’s never too late to fall in love, no matter your insecurities.
The heroes of the Mushroom Kingdom make their way to the big screen in this animated movie.
A bumpy journey about revolution and family makes us feel fear, disgust, humor, and satisfaction.
Netflix’s Shadow and Bone has a complicated relationship with race. It has a diverse cast, but not without its problems. Based on Leigh Bardugo’s two book series, the show features characters from the Shadow and Bone trilogy, which is very straight and white, and the Six of Crows duology, which is much more diverse. When bringing together a cast and writing about these characters, the team behind the show expanded upon some of the representation missing from the first trilogy, then seemed to take away representation from the duology. Shadow and Bone seems to play a bit of a push and pull game when it comes to portraying diversity onscreen.