Meet Kelly the Coed. Fresh out of high school and away from home for the first time, what's a young freshman to do but get into trouble? Watch as Kelly experiences her first Rush Week on Greek Row as rowdy frat boys pledge new brothers and little sisters at wild toga parties. But the Greek system never saw a little sister quite like Kelly the Coed. All the holes are open boys, so grab a beer bong and go for a ride!
Unlike other documentaries about Princess Diana, Perkins’ film, 'The Princess', is an entire documentary consisting of media coverage and public opinion, rather than a typical series of people interviewed with firsthand experience of the Princess. 'The Princess' beautifully depicts how we perceive Diana as a media figure rather than a real person, specifically creating her persona as a fairytale figure turned saint and icon.
Every movement becomes a question of identity. To become who we are meant to be. In order to reach that we often have to shed who we once were, and that shedding can sometimes be so brutal it’s ungraceful.
Though 'Bound' technically falls under the genres of crime and thriller, the film's heart is a romance between two women.
What seems like such a simple story of survival is so much more than that—it’s a story of family, and of war, and of destruction. It’s painful to watch, but not in a bad way. It makes its audience reflect on their own actions, and in how they are complicit in the sufferings of others as the adults in this film are. Grave of the Fireflies does not hold back from being heartbreaking, and it shouldn’t. It tells a message that needs to be heard decades after the war, and a story that cannot be forgotten by history.
Tom Clancy's Without Remorse has everything a movie director from the 80’s could wish.
