The Back-Up Plan (2010): A Heartfelt Rom-Com with Depth
Jennifer Lopez leads the story as Zoe, a determined woman who opts for artificial insemination after a string of failed relationships. Lopez's portrayal adds depth and warmth to Zoe

Ujang, a young man from Cibatu, West Java, travels to Jakarta in the hope of becoming wealthy. He leaves Neng, his lover, behind. Ujang meets Dadang, whom people say has been successful. It turns out that the news is false as Dadang is poor. Then they manage to deceive Dewo, the conglomerate boss and Ujang and Dadang are entrusted to lead Dewo’s company. In reality, Dewo has deceived Dadang and Ujang into carrying out his money laundering activity. Luckily, Dewi, Dewo’s wife, comes to rescue the guys.
Jennifer Lopez leads the story as Zoe, a determined woman who opts for artificial insemination after a string of failed relationships. Lopez's portrayal adds depth and warmth to Zoe
Knives Out doesn’t just defy the whodunit narrative, it uses the weaknesses to its advantage. It’s well aware of the genre’s faults and tropes
This delightfully odd horror movie presents a whimsically strange alternate reality to younger audiences.
Even now, the well-established Snyder has yet to learn this as he continues to allow misguided decisions to convince him that his projects hold the same kind of intelligent and emotional weight. Army of the Dead is a tonal mess, one that never decides what it’s trying to be, and, for all we know, doesn’t want to decide.
Netflix's new thriller Apex, starring Charlize Theron, puts a twist on survival horror. Despite its setting in the beautiful- yet-dangerous Australian wilderness, Apex is not a movie about man vs. nature. Instead, it’s woman vs. man. While checking out the title card and its unpretentious Netflix release might lead viewers to believe Apex is just another celebrity project churned out of the streaming machine, Apex - whether by luck or by intention - is a consistently harrowing film about the reality of being a woman in a public space.
Hitchcock is no stranger to innuendo, as was common in that era, but there was something so sophisticated about his approach to 'Rope', and it starts in the first frame.