Kawaikatta Inu, Anko 

Bong Joon Ho’s masterpiece, Parasite (2019) became one of the few international films to break into the American mainstream.

Throughout Brendan Fraser’s career, he has played a plethora of unique, layered characters who explore the importance of not being afraid to display your emotions, something that is often seen to not be a masculine trait. This idea of regulating emotion and what traits men are able to possess creates a toxic atmosphere for men who are often told they should not cry or represent their emotions in any physical way. These characters represent that men can be joyful, emotionally conscious, and sensitive, while also representing their masculine identity instead of painting those qualities as fighting against their masculinity.

Unfortunately, People We Meet on Vacation didn’t hold up quite as well as I’d hoped.

How powerful can a story be when it is stripped to the bare essentials of just a room, a handful of people and raw human voice?

The human experience is described through the eyes of a marginalized outsider, neither judgmental nor invested, just an observant donkey.

In light of the trailer release for the Five Nights at Freddy's sequel, it’s due time to talk about the first movie.