On the last working day of Sheriff Wayne, his small town is attacked by blood thirsty ravens that eat human flesh. Meanwhile his wife Cynthia visits a farm where a Mennonite family lives to say farewell to her friend Gretchen and discloses a dark secret about the origin of the fierce ravens.
The French-born director Laure de Clermont-Tonnerre’s strategic choice to entrust the interpretation of a conventional, feminine character to a non-binary actor pays off: Corrin’s Lady Chatterley is awkward, edgy, and uninhibited at the same time.
This inspiring true story falls nothing short of filling the audience with a passion to strive for their wildest dreams.
Wilde’s coming-of-age comedy directorial debut is simultaneously hilarious and entertaining, and remarkably heartfelt and relatable.
Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.
While Mortals Sleep is enthralling quick-fix horror that offers thrills and excitement with such a short runtime and left me truly impressed with all levels of filmmaking.
In less than 30 minutes, Proudfoot guides the viewer through a narrative that touches on American history, mind-health issues, race, and gender politics
