Black Swan and its dark feminine energy
Every movement becomes a question of identity. To become who we are meant to be. In order to reach that we often have to shed who we once were, and that shedding can sometimes be so brutal it’s ungraceful.

Two young girls are drifting in the water of a public swimming pool. The film adopts this drifting attitude as it follows them through nocturnal Montreal and their daily life. Sometimes the two speak English, sometimes Inuktitut. Kathy and Teresa come from a small Inuit settlement in northern Canada. They show each other smartphone pictures of seals and bears they killed themselves. They read about the special relationship between the Inuit and their sledge dogs, which has lost its importance today. Home assignments are done in a park – the scent of the trees reminds them a little of home. They close their eyes. With great tenderness, the camera captures the deep bond between the two best friends who share the same heritage and language. Kathy has written a moving song in Inuktitut. In simple, clear words, she sings of the feelings and yearnings of a young Indigenous woman.
Every movement becomes a question of identity. To become who we are meant to be. In order to reach that we often have to shed who we once were, and that shedding can sometimes be so brutal it’s ungraceful.
This fantasy musical movie is an origin story about the title character.
It is a truth universally acknowledged that a single woman will be happiest if she marries a man with a good fortune, similar upbringing, matching attractiveness levels, and compatible politics.
The sequel following The Son of Bigfoot explores Adam's conflict of discovering his true identity as he tries to save a wildlife preserve.
While the film didn’t hit me as emotionally as I wanted it to, I still enjoyed it. I simply wish there was a little more, particularly with the world building.
An indie production of a romantic drama with a country-western feel meant to explore lost love.