“Leviticus” and Leviticus
Like most young people, Leviticus is imperfect. But I love it anyways.

A film loop showing the similarity of the artist and her sister in 240 16mm single-frame portraits. The individual frames were recorded one after the other in camera without any editing in post-production. Due to the phi-phenomenon, the rhythmically fast cutting of the individual portraits becomes a mixed portrait of both faces. Alternating and increasing, the series of frames changes from one to a series of four portraits per person. At this pace, the eye is able to perceive a difference.
Like most young people, Leviticus is imperfect. But I love it anyways.
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