After 10 years working as a supervisor for an oil drilling firm in Saudi Arabia, Oca (Jinggoy Estrada, in a somewhat restraint performance) returns to the Philippines to visit his family. The film opens with his wife (Lorna Tolentino), best friend (Bayani Agbayani) and dotting mother (Vangie Labalan) waiting patiently for Oca's arrival at the airport. We are then introduced with the rest of the star studded cast, as Oca visits his house, where he meets up with his estranged kids (Shaina Magdayao, Arron Villaflor, Julian Estrada), and parents in loss (in-laws), which shows no affection whatsoever towards him. Only his drinking buddies, mother, and sister, are excited on his return, only because they see him as a prized cash cow. Jose Javier Reyes revisits his movie, Bayarang Puso (1997), in a cheese filled dance sequence, Oca drunk as ever grooves with no pretension. This and other embarrassing situations tears the family slowly apart.
The venn diagram of pop feminism and white-centered feminism is a circle. Acknowledging that is not a crime nor a diminishing of 'Barbie', Director Gerwig, or feminism in general.
While prioritizing production value over substance, Flood depicts an emotionally taut family drama set during the farmland flooding of the Franco-Dutch war.
A collection of the ten best films that captured William Shakespeare’s pathos the best, both for the diversity they bring, and of course “the aesthetic."
Guillermo del Toro highlights a touch of innocence in the Gothic classic. The journey of Victor Frankenstein defying death gained inspiration from the Eastern energy system that is named ‘Qi’ and the lymphatic system being studied by Muslim scholars.
The original Mothra is a fun monster movie that has way stronger lore, music, and special effects than most of its contemporaries.
Barry Jenkins' masterpiece holds up as the story of a lifetime centered on the intersection of Blackness and gay identity.
