
Ten episodes tell the stories of ten encounters involving a male hooker, an actor, a cleaning lady, a female theater director, a male kindergarten teacher, a poetess, a publisher, a woman, who is a lawyer, a male puppeteer and a female make-up artist. The whole circle is triggered by the off-chance meeting of the poetess and the puppeteer on an overnight bus to Vienna, where the puppeteer succeeds in persuading the poetess to stay for a day in Vienna. All the encounters take place in one day and after 24 hours they meet again, but their lives have changed.
Neon Gravity is an assassin who realizes that her target, as well as her current reality, are not what they seem. This short film is a futuristic story that takes place in Downtown Miami.
How powerful can a story be when it is stripped to the bare essentials of just a room, a handful of people and raw human voice?
Welcome to Ryan Reynold's world. Dwyane Johnson, Gal Gadot and us are just living in it. Is he acting? I think he is, it's just the question of it's believable anymore.
The film does not add anything to its own conversation or genre, and falls flat once it’s about to end and must declare some sort of conclusion.
With mismatched eyes, a willingness to experiment with hair color and style, and a rail thin frame, Bowie always drew attention. But he shunned gendered attractiveness, creating his own space somewhere in between. This hallucinatory and often nonlinear 2022 documentary is a perfect salute to David Bowie’s life and career. Rather than interviewing those that knew Bowie, the standard convention for biographical portraits, director Brett Morgen mostly lets the artist’s images, performances, videos, and words speak to capture the essence of the artist. Bowie was more than just a pop star. He painted, sculpted, acted in films, and was a thoughtful and articulate person who gave sincere answers to even the most shallow interview questions.